Renovated Farmhouse

Bucks County, Pennsylvania

Earlier this week I wrote about a superb barn renovation in Bucks County, Pennsylvania, that was featured in the June 2010 issue of Architectural Digest. The barn, designed by Penny Drue Baird, is located on a larger property with a farmhouse that had previously been renovated by Ms. Baird. While researching this barn conversion, I found myself wishing that Architectural Digest had shown at least one picture of the farmhouse on the property, which I knew had to be just as fabulous as the barn. After doing a little digging, I think I may have found it. Architectural Digest  ran an article from February 2007 featuring a circa 1810 farmhouse in Bucks County, Pennsylvania, designed by -- you guessed it -- Penny Drue Baird.

Renovated barn on farmhouse property

Though neither article links these two renovations as being on the same property, they are both in Bucks County, both designed by the same person, and the barn article mentions a farmhouse that was previously renovated by the same designer. Are they on the same property? Who cares! Let's see some before and after photos!

Below is the living room, which, by all appearances, looks like it has great bones. But in the Architectural Digest article, the Ms. Baird described as a "designer’s nightmare. It’s a large room with doors on opposite sides, small windows on two sides, a dark, low ceiling and an off-center fireplace."

Below is the 'after' photo. What a gorgeous room! The designer created two separate seating areas, centered by a two-sided setee. I just love the blue Mora clock in this room, and in this precise spot. The blue in the clock is subtly echoed in the blue English pottery collection and the ceramic elephant side table. Just the right amount of blue color to pull the room together without looking matchy-matchy.

The dining room, a later addition to the house, 'before.' At least the room has great floors, good natural light, and good proportions.

Wow! The addition of vintage hand-cut beams and brick facade makes this dining room look like it's been part of the house all along. The antique French wrought-iron chandelier and antique 19th century copper fountain are from a Paris flea market.

Below is the family room which, like the dining room, is a later addition to the farmhouse. You just know those metal sliding doors can't stay!

And this is why people hire interior designers. This room is simply stunning! The sliding doors, along with the windows, were indeed replaced and updated. Room additions include a limestone fireplace, reclaimed-wood panelled walls and ceiling, reclaimed wood beams, and French terra cotta floor tiles. The antique wrought iron chandelier is from Paris. That chaise longue is stunning!

The owner's suite bedroom 'before.'

Rustic elegance! I just love the look of the ceiling beams coupled with the French chandelier. The larger, freestanding upholstered headboard nestling the bed frame, the circa 1880 painted screens, and the simple-yet-sumptuous window treatment make for a cozy and sophisticated space. The larger headboard fabric is from Schumacher. The smaller headboard fabric and pinstripe is from Nobilis.

A farmhouse-elegant bedroom.

The rear of the property.

Barn to House Conversion

 Bucks County, Pennsylvania

 

I love my shelter magazines: Veranda, Elle Decor, Traditional Home, Architectural Digest, The English Home. If they don't come to me in the mail, I come to them in the bookstore. Contained in these glossies is a wellspring of artistic inspiration, trend alerts, and sourcing information. And in an effort to stay organized and streamlined, I usually read, absorb the material, then toss/recycle/give away. Sometimes I might clip out an inspirational picture. On rarer occasions I save the entire article. The June, 2010 issue of Architectural Digest featured a much talked-about barn renovation in Bucks County, Pennsylvania, that I clipped and saved.

Several reason this article stayed with me (both literally and figuratively): The gorgeous and eclectic collection of Continental and American furnishings; the beautiful contrast of rustic and luxe; the thoughtful sense of history and preservation; how light and airy the barn-house is, even though the interior is merely milk-painted near its original wood color. On paper, one would think this house would be dark and heavy. But with a large central chandelier, smart placement of recessed and ambient lighting, limestone flooring, front and rear french doors with transoms that reach the ceiling, and furnishings and decor in light, creamy colors, the interior is light and airy. Notice in the photo below how the light limestone coloring of the fireplace mantel and overmantel brighten the Geat Room.

Designers Penny Drue Baird and Irwin Weiner sourced many of the barn's furnishings and decor in France, such as the chandeliers, a 19th century low table with its original tapestry (in picture above), sconces, and lamps. And speaking of lamps, I like that the barley twist lamps are painted a lighter color. They would have disappeared in this space were they in their original wood tone.

Above, a bedroom under the eave. Again, the light, creamy colors of the bed linens and the area rug give lightness this potentially dark space. The old original door looks great in this space, echoing the light colors of the linens. The decorative iron tables (now cushioned for seating) at the end of the bed elevate the design of the room, and keeps it from a one-note rustic look. Of course, the Hermès Avalon blankets have a tendency to enhance any interior. I think those cashmere wonders could make even a gardening shed look like a showroom!


Below, a different bedroom. Again, rustic, with luxurious touches.

Below, you can see the how the limestone brightens the space. The stone tiles are tumbled and in varying sizes, transmitting a feeling of history and age that's appropriate with a 200-year old barn. The dressed-up mahogany billiards table adds a nice luxe juxtaposition to this otherwise rustic corner.

Though it's hard to tell from the exterior photos of the barn, the interior living space is 4,000 square feet over two-and-a-half floors. And this isn't even the main house. This barn is actually the guest residence of the main farmhouse, also renovated by Penny Drue Baird. The barn's renovation was almost a total reconstruction, sheathing the exterior in new wood, and in the interior installing wiring, plumbing, heating and air. After seeing this guesthouse, I would love to see the main farmhouse residence. Kudos!